Tonal and Post-Tonal Theory and Analysis, Schenkerian Analysis, Jazz, Brad Mehldau

Journal Articles

• Published (peer reviewed): “Irony and Illusion in the Second Movement of Beethoven’s Piano
  Sonata, Op. 101,” Journal of Schenkerian Studies 7 (2013): 63-81.

• Published (peer reviewed): “Reconsidering Marchetto’s Division of the Whole Tone,” Theoria 19 (2012): 5-32.

• Published: “Review of Miguel Roig-Francolí, Understanding Post-Tonal Music,” Indiana Theory
  Review 27/ 2 (Fall 2009): 187-200.

• Published (peer reviewed): “Applying Traditional and Proportional Aspects of Form to Atonal Music,” Journal of Music Theory Pedagogy 18 (2004): 1-21.

• Published (peer reviewed): “Applying Traditional and Proportional Aspects of Form to Atonal Music,” Journal of Music Theory Pedagogy 17 (2003): 1-19.

• Music Theory IV
• Counterpoint II
• Music Theory II
• Music Theory I
• Music Theory III
• Ear Training Lab I
• Ear Training Lab III
• Jazz Workshop
• Ear Training Lab II
• Ear Training Lab IV
• Analysis of Contemporary Music

• Winner, Bela Rosza Composition Competition
• Academic Fellowship
• Superior Evaluation in Teaching
• Dissertation-Year Fellowship
• Steve Larson Award