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Jennifer Airey PhD

Associate Professor of English Henry Kendall College of Arts & Sciences
English Language and Literature
Zink Hall 340 918-631-2854
jennifer-airey@utulsa.edu
Curriculum Vitae [PDF]
faculty-photo

Biography

Jennifer Airey specializes in Restoration and eighteenth-century British literature, with an emphasis on Restoration drama and theater history. Her research concentrates on depictions of gender and sexuality, both on-stage and in Restoration culture, and she is particularly interested in interrogating the relationship between extra-literary sources--propaganda pamphlets, circulating broadsides, and popular sermons--and the British stage. Her book, The Politics of Rape: Sexual Atrocity, Propaganda Wars, and the Restoration Stage, was published in 2012 by the University of Delaware Press, and is the first full-length study of representations of sexual violence in Restoration theater and political culture. Airey is currently at work on a new book project, Religion Around Mary Shelley, which will examine Shelley's beliefs across the length of her career.



Ph.D., Boston University
M.A., Boston University
B.A., Brandeis University


Restoration and long eighteenth-century British literature
Romantic Literature
Early modern theatre
Gender and sexuality
Gothic literature
Popular Culture

Restoration and Eighteenth-Century Literature, Seventeenth-Century Literature including Shakespeare and Milton, Drama and Performance, Romantic Literature, Gothic Literature, Women’s Literature, Queer Literature, Feminist Theory, Masculinity Theory, Popular Culture, Video Game Studies, Rhetoric and Composition.


The following may be selected publications rather than a comprehensive list.

Book


The Politics of Rape: Sexual Atrocity, Propaganda Wars, and the Restoration Stage. Newark: University of Delaware Press, 2012.

Book Chapters


Airey, Jennifer. “Mary Shelley’s Mathilda and the Limits of Authorial Leadership.” Cultural Icons and Cultural Leadership. Ed. Kristin Bezio and Peter Iver Kaufman. Edward Elgar, 2017. 54–67. Print.

“Justice and the Bashaw of Merryland: Harem Fantasy, Rape Narrative, and the Trial of Lord Baltimore (1768).” Images of the Harem. Ed. Emily Kugler (Forthcoming 2015).

“Staging Rape in the Age of Walpole: Sexual Violence and the Politics of Dramatic Adaptation in 730s Britain.” Interpreting Sexual Violence: 1660-1800. Ed. Anne Greenfield. London: Pickering and Chatto, 2013. 95-105

Book Reviews


Airey, Jennifer. “Restoration Drama Excluding Dryden.” Ed. William Baker and Kenneth Womack. Year's Work in English Studies 2016: 612–20. Print.

Airey, Jennifer. “Restoration Drama Excluding Dryden.” Ed. William Baker and Kenneth Womack. Year's Work in English Studies 2015: 538–46. Print.

“Restoration Drama excluding Dryden.” Year’s Work in English Studies. Ed. William Baker and Kenneth Womack. Oxford: Oxford University Press, 2014. 521-34.

“Restoration Drama excluding Dryden.” Year’s Work in English Studies. Ed. William Baker and Kenneth Womack. Oxford: Oxford University Press, 2013. 488-97.

Coyness and Crime in Restoration Comedy: Women’s Desire, Deception, and Agency” (Book Review). Restoration37.1 (2013): 80-82.

Thomas Betterton: The Greatest Actor of the Restoration Stage” (Book Review). 1650-1830: Ideas, Aesthetics, and Inquiries 19 (2012): 362-65.

A Race of Female Patriots: Women and Public Spirit on the British Stage, 1688-1745” (Book Review). Restoration and Eighteenth-Century Theatre Research 27.2 (2012): 85-87.

Acting Like a Lady: British Women Novelists and the Eighteenth-Century Theater” (Book Review). Tulsa Studies in Women’s Literature 28.2 (2009): 376-78.

“Some Current Publications.” Restoration 32.1 (2008): 71-91.

Journal Articles


Airey, Jennifer. “ ‘He Stood like One Transfixed with Thunder’: Male Rape and the Punishment of Libertinism in Eliza Haywood’s Love in Excess.” Women's Writing (2017): 1–14. Print.

Airey, Jennifer. “‘Abused, Neglected,—Unhonoured,—Unrewarded’: The Economics of Authorial Labor in the Writings of Mary Robinson.” ABO 6.1 (2016): 1–13. Print.

“‘I must vary shapes as often as a player’: Susanna Centlivre and the Liberty of the British Stage.” Restoration and Eighteenth-Century Theatre Research 28.1 (2013): 45-62.

“Eve’s Nature, Eve’s Nurture in Dryden’s Edenic Opera.” Studies in English Literature 50.3 (2010): 529-44.

“‘For fear of learning new Language’: Antitheatricalism and the Female Spectator in The Country Wife and The Plain Dealer.” Restoration 31.2 (2007): 1-19.


AS 1001 First Year College Experience
ENGL 4973 Senior Project
ENGL 7293 Romantic Poetry
ENGL 7993 Directed M.A. Research; Directed Writing
ENGL 8173 Special Topics in Literature Before 1800
ENGL 9981 Dissertation
HON 1003 Greek History, Philosophy and Drama